You know a concert is going to be good when the walk-in music is Chappell Roan’s “Femininomenon.” Indeed, Mosaic Composers Collective’s “Sculpting the Self: Sexuality and Liberation” — at National Sawdust on Thursday, Nov. 16 — didn’t disappoint. Following a brief Narcan training — so important in queer spaces — was Aidan Arbona’s “Cognitive Dissonance.” Starting with violist Carrie Frey, the melody moved to flutist Laura Cocks, to violinist Leah Asher, to oboist Shoshana Klein, then to cellist Meaghan Burke.
Wood and Bone and Flesh and Stone
Wood and Bone and Flesh and Stone
Wood and Bone and Flesh and Stone
You know a concert is going to be good when the walk-in music is Chappell Roan’s “Femininomenon.” Indeed, Mosaic Composers Collective’s “Sculpting the Self: Sexuality and Liberation” — at National Sawdust on Thursday, Nov. 16 — didn’t disappoint. Following a brief Narcan training — so important in queer spaces — was Aidan Arbona’s “Cognitive Dissonance.” Starting with violist Carrie Frey, the melody moved to flutist Laura Cocks, to violinist Leah Asher, to oboist Shoshana Klein, then to cellist Meaghan Burke.